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Thiery Beyne

Featured artist in MADS Magazine issue No.2. View all the artworks in the embedded Issuu browser below. Would you like to have your own copy at home? Follow the link at the end and head over to Blurb. Limited to only 500 copies per issue. Order yours today and start collecting.

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Copyright Thierry Beyne

Photography to you meansCreativity!

When I frame the imageI sometimes frame my photos, but very rarely, I always try to frame the image in my lens.

A camera isA Nikon D300 17/55 mm lens, and a Nikon D610, lens: 50 mm, and 14/24 mm

Passionate about graphics, I went to Corvisart, an art college in Paris. After 4 years of art studies, I worked for several advertising agencies. There I met many advertising photographers who no doubt gave me a taste of photography.

Whilst doing my job as an Artistic Director, I practised photography more and more with my first Canon. At that time it was a film camera with Ilford film. Then, in the 1980s, I went to Asia, where my passion for travelling and photography developed. I travelled from India, Sri Lanka, Thailand, Malaysia, Indonesia, Cambodia, Philippines, Hong Kong, Singapore and of course Vietnam, my favourite.

The essential part for me was being at the heart of the Vietnamese population.

It’s almost 20 years now that I have travelled through Vietnam and photographed it from north to south, in it’s most remote corners. I am married to a Vietnamese woman from Hue. My wife and I worked for Franco-Vietnamese NGOs. That allowed us to be in direct contact with daily life and the authenticity of the country.

The essential part for me was being at the heart of the Vietnamese population. Living in the Khanh Hoa area, which I know very well, I decided to become a photography guide for major hotels in Nha Trang. 5 years of happiness where I guided many amateur photographers as well as professionals, of all nationalities.

From 1995 to 2018, I participated in many photo exhibitions in Paris and Vietnam. In 1997, one of my photos titled “In Bombay Station” was awarded at the “International Nikon Photo Contest” and exhibited at The European House of Photography in Paris. I now share my time between France and Vietnam.

My first “real” camera was a Canon FTB QL silver with Ilford 400 films, black and white. At the time the Canon brand was very popular in France. I followed the advice of my photographer friends who all worked with a Canon. But I must admit that one day I tried a Nikon. Ever since, for the last 30 years, I only work with Nikon, and of course for 10 years now, in digital.

Since returning to Paris, I have been working for a year on my new photographic concept called “Mes garçons de café parisiens” (My Parisian Coffee Boys) For 1 year I went through Parisian cafes in search of our “authentic coffee boys”. Still dressed in their traditional aprons, white shirts and bottle openers, proudly carried in the pocket of their black vests. Staying discrete is the concept and the main idea of my photographic work. Taking the snapshot, capturing the gestures, the dexterity, the skill with which they work, always in a dizziness of speed, whereas the customers, sitting quietly sip their black coffee. Putting aside the misconception of “unpleasant boys”, these men and women are for the most part the affable ambassadors of their cafés, caring about the hospitality of the establishment, playing with verbal expressions that belong only to them and tirelessly repeated, Parisian humour and even sometimes translated into bad English for our tourists who remain questionable or even doubtful.

Without them, Paris would not be Paris. The coffee boys of Paris (Mes garçons de café) have often been photographed, my concept is to photograph them, while staying very discrete, surprising them in their natural gestures, “not posed”, the difficulty is also to not show their faces, France has very strict image rights, unlike Vietnam.

Once my work is done, I will look for a publisher and publish a book on “Mes garçons de café” series and of course, organize photo exhibitions in Paris on this subject, in Asia too, because I know that the images of “Paris” and its Parisian cafes are very popular in Asian countries. The great photographers inspire me, SALGADO, MC CURRY, MAPLETHORPE, WILLY RONIS, ROBERT DOISNEAU. To look at their photos, to try to understand how their “photographic eye” works, that is my inspiration, they are my masters.

The biggest obstacle for a photographer is probably when a photographer must meet the commercial constraints of a customer. The work corresponding to one’s “eye” is not always that of the client. I have sometimes faced inconvenience, even a customer’s refusal of my photos that I found very good.

It is for this reason that I prefer to work on personal projects that will only have my personal censorship. All my photos are done in Paris when it comes to “Mes garçons de café”, as for my “BACK PHOTOGRAPHY” series, in Vietnam and Paris. To be in love with photography is to be in love with the image. Even without my camera in hand, my eye can not help framing the images. I am looking for the unusual image, photography is an obsession for me.

As I said above, great, real photographers, those who do not cheat with effects like photoshop and other software. The great masters of photography do not cheat. My wish is to continue to photograph Vietnam, France and why not other Asian countries. I also want to take part in many more photographic exhibitions with my work. It’s difficult to give advice. I would just tell young photographers, to “look” at the life around you, that’s how you will forge your photographic eye. The most difficult part for a photographer is patience. It takes years to understand and master “the” photographic eye. I think one cannot be a photographer without having taken thousands of photos.

 

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