© Copyright Ben Wayman

Ben Wayman – Kitsuné

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King Canyon by Hagan Nguyen

Hagan Nguyen

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© Copyright Julie Vola
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Copyright Darren Tynan

Darren Tynan – Ghost

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Copyright Nana Chen

Nana Chen – Discarded

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Photography

Aron Schuftan

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© Aron Schuftan
Attitude

Could you share a bit about your background and what you do for a living? “MUTT”– My friends have called me this my whole life and, to be honest – I don’t mind. My mother is Vietnamese and my father was born and raised in Chile to German parents. I spent my adolescence in Nairobi, Kenya, but have been fortunate to have lived all over the world including Cameroon, Spain, Puerto Rico, Chile and the US.

For me, the art is in the capture, not later in front of a computer. What you see is what I saw, when I saw it.

To be honest, these various clashing of cultures have never made me feel like an outsider- if anything, it made me feel always accepted where every I went which I feel has translated into my life and my art.

I am a 43 years old doctor, specializing as an Obstetrician and Gynecologist at Family Medical Practice and American International Hospital.

I have been living in Vietnam for 4 years now, but have been coming to Vietnam regularly (first time I came here was 1986) since my parents relocated to Saigon from Kenya in 1995.
Besides photography, I love to travel, play soccer with the Saigon Raiders, Saigon’s oldest ex-pat team and I recently began playing the “Handpan”, a relatively new instrument for me.

How would you describe your Instagram wall? My wall is an honest diary of what I see in my day-to-day, from the many countries/places I’ve been fortunate enough to have lived in and visited.

As a “street photographer”, it is important to me to capture a moment, a feeling –without manipulating my subject or environment. I try to be “a fly on the wall” and capture exactly what I see. But at the same time, I try to capture the unusual or the ordinary but in a new way.

How did you start? What was your inspiration? I started taking pictures at an early age to document my travels, but really started getting into it while in college in New Orleans, when I was gifted my father’s antique Zeiss Ikon camera… it’s been a love affair ever since.

What are your favourite elements to use in your visuals? I love to find repeating patterns and use natural “frames” in my images. I also try to use wide-angle lenses and incorporate “leading lines” into my shots.

I find both to be great tools to pull the viewer in and to capture as much of the subject’s environment – which I believe makes a better visual story.

For me, not only is the image important, but also the title. Often I have the title of the shot before I even take the picture – in essence, the title makes my image. I think it stems from the first picture I ever saw that “moved” me.

It was a black and white photograph of a pair of feet by Annie Leibowitz and the title was “Pele”. As an image alone perhaps not so special but with the added title, a whole new meaning evolved – a portrait of arguably the world’s most famous feet. Since then I always strive to find a title that makes my viewer think one-step beyond the image.

Do you see social media as a tool to inspire or the other way around? I believe it’s a double-edged sword – yes, the mass, instant, dissemination of information and images can help and inspire, but at the same time, I do believe we have crossed the line: it has bred a new generation of completely self-absorbed narcissists and given fame (and a platform) to the ridiculous and menial. I mean, really, do we care what Kim Kardashian ate for breakfast? But I guess I may be the wrong person to ask; I am not exactly the social media demographic. Then again, social media got me this article so I guess it can’t be all bad, can it?

Who is your Instagram for? Mostly for family and friends, but I do secretly admit that I enjoy getting likes from strangers around the world.

What do you hope viewers get from your work? I hope my images allow my viewers to see and experience new places, a new culture and feel an emotion. This desire has often lead to me to capture moments that some of my audience find displeasing (eg: my series of photos from a dog meat market in Hanoi). But to be honest, I appreciate the positive praise as much as negative comments. For me, the fact that my images cause a strong emotion (good or bad) is what I strive for as an artist.

What is challenging about Instagram? Not only as relates to Instagram, but to social media in general: it is hard to get noticed as an artist and have your work really appreciated. Today EVERYONE is a photographer and people’s attention span is shrinking.

Also, with the advent of Photoshop, the nature of photography has changed – now it doesn’t matter so much how good you are at capturing a moment, but rather how good of a graphic designer you are. Some would say it is the “evolution of photography”, or “it’s what we used to do in the darkroom”.

But for me, as a purist, I try to do no post-production of my work (no cropping, no Photoshop), so I don’t buy it. I believe the art is in the capture, not later in front of a computer. What you see in my pictures is what I saw, when I saw it. But then again, as this is a hobby for me, I have the benefit of making that decision. I totally understand (and sympathize) with my professional photographer friends whos clients want a perfect image and they don’t care if you got it on your first shot or after 10 hrs manipulating it on a computer screen.

Looking back at when you started, how much has your style evolved and how? As I look back through my photos I can see different phases that I went through.

Abstract, architecture, fashion, nature- having only done photography as a hobby, I have had the freedom to take pictures of anything I want. But I find that what currently inspires me is the people of Vietnam: I shoot mostly children and the elderly. I find “innocence” and “wisdom” interesting subject matters. In any case, I always try to incorporate visual elements in my shots that tell a story and are not just “pretty” pictures.

What are some of your favourite insta accounts to follow? I love National Geographic’s Instagram (and to be honest am jealous of it). It would be my dream come true to work for them (if anyone can introduce me I would appreciate it!). But I am also a big fan of Justin Mott’s work (@askmott) who was a fellow contestant/judge of mine in “Photo Face Off” – a photography reality show on History Channel that I was lucky to be a part of. (https://www.youtube.com/watch?v=vjMW4-o1kv8)

What can we expect to see on your Instagram in the future? Hopefully more of the same, but better 🙂

 

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Kelly Padgett – Story of Life, Câu Chuyện Cuộc Sống

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Copyright Kelly Pagett

Photography means to me: Documenting time and space

When I frame the image: I’m looking for that brief instance where everything comes together.

A camera is: A memory box.

My name is Kelly Padgett, I currently live in Apex, North Carolina which is a suburb of Raleigh. I lived in Vietnam for approximately four years, and I still have close ties to the country. I believe my first camera would have been a disposable camera, the type that requires you to send the entire camera in for development. Later I started using my parents Canon Photura, which is an automatic point and shoot style camera.

Growing up I had to use or play with whatever I could get my hands on. Other cameras I experimented with were things like the Canon AE-1 and the Nikon N65. The first digital camera I ever owned was a Fuji Finepix compact camera. I don’t think photography was ever a conscious choice, it’s always been something I’ve been drawn to. It has to be the magic of capturing a moment in time and being able to hold that moment in my hands.

It has to be the magic of capturing a moment in time and being able to hold that moment in my hands.

Story of Life, Câu Chuyện Cuộc Sống, is the title of my ongoing project. Most everything we see of Vietnam feels like a well-polished travel brochure, I want people to see a personal side of both the country and its people, that there’s a much deeper and complex side to both. I wanted to create something a bit different than others, by showing the intimate side of life in Vietnam.

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Vuong Nguyen – Lover of no one

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© Copyright Vuong Nguyen

Photography to me means telling visual stories of humanity and love.

When I frame the image, I try to create an imperfect – romantic photograph.

A camera is a moment keeper.

Vuong Nguyen is my name and Saigon is my hometown. I am a photographer, an artist and a self-taught filmmaker; recently I’m studying Visual Arts at the University of Wollongong, Australia.

Regarding photography, I’ve taken photographs for more than 5 years, the very first chance for me to use a camera is when I went out on a road trip to Long Hai in Ba Ria provide with my friend, she lent me her camera, and it was a Canon 60D, we took many photos of the sunrise and the ocean.

I still remember precisely the beauty of that moment, when I was gazing at the large yellow light that is slowly coming out from the horizon of the ocean, the sun of that time was like a massive fireball in my taken photos.

I still remember precisely the beauty of that moment, when I was gazing at the large yellow light that is slowly coming out from the horizon of the ocean, the sun of that time was like a massive fireball in my taken photos. Therefore, I was fell in love with photography from that day.

So, taking photo became my biggest hobby, I got for myself a Nikon D90 which is also my first camera; I spent much time just hanging out Saigon and some places to take pictures. Taking photographs means you can freeze special moments that happening around you. I would say photography is a ticket for you to become a time traveller whenever you have a look through all your pictures you have taken.

Since then I’m having for myself more than five cameras including digital and analogue ones. Now I’m using mostly is Nikon F5 and Nikon FM II which are amazing cameras. Lover of no one is the newest photographic series of mine; I used an analogue camera which was Nikon FM II with Rollei 35mm film to capture pictures of street life in Sydney. Also with photos in black and white, there is more contrast of deep feeling that I want to give the viewers.

Moreover, Lover of no one also is a recognition of a disconnected society. Even though Sydney is a most crowded city in the world, but somehow, I found the emptiness, loneliness of people in modern society. Each person is invisible to another, and there is no contact, not much engagement between people.

It was challenging when I decided to make the series, and there was two big obstacle that I faced. Firstly, my biggest question was how can I put strong human emotions into photographs? It was difficult to describe my feeling by photographing, so when I took a photo for the Lover of no one, I applied different compositions and techniques.

You can see some of the pictures are made by using long exposure photographic technique. Secondly, always be carefully adjust a camera because I was using Nikon FM II, not like a digital camera I could not see photos after taking it, so understanding of photography technique is essential.

When I have been studying deeper both practical and theoretical lessons in photography, I love photography more. The deeper understanding about photography, the fewer photos I take, I think due to my philosophy of photography has been changed. Therefore, I’m using analogue cameras instead of using digital ones.

Using film cameras help you to calm yourself and you must understand your camera before taking photos. Otherwise, the images from an analogue camera, for me, is more valuable, not only about the process of developing the negative but also about the narrative of each photo cause sometimes you have a roll of film that’s mean 23 or 36 times to take a photo.

So, you must have thought about the moment you should or should not photographing. Honestly, I was inspired a lot by the works of Fan Ho, Saul Leiter, Stephen Dupont and Sebastiao Salgado. They are all great photographer. Every time that I feel lost, need the motivation to create a new project, always look at their works as a simple way for me to recharge energy.

The next few years I think I could challenge myself in cinemaphotography. I could apply photography knowledge into making a film because I think a connection between photography and filmmaking is a very close gap.

If I have a chance to advise another one who wants to become a photographer, I would have two sentences to send out: – “Understand your camera and believe in your eyes”. – “Your first camera is for practising, but your last one is to tell stories.”

 

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Tom Hricko – Echo Beach

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Copyright Tom Hricko

Photography to you meansA process which allows one to extract elements from consensus reality and transform those elements in a variety of ways.

When I frame the imageWhen I frame an image I concentrate on what to remove from the frame and then how to arrange what remains.

A camera isAn image extracting device.

I was studying painting when, in 1967, I was drafted into Uncle Sam’s army and sent to Vietnam. Cameras were cheap at the PX in Nha Trang so I picked up a 35mm Petri 7 rangefinder camera. It wasn’t long before I was taking it everywhere and pointing it at everything.

When I returned to the US, I decided to switch my major from painting to photography. Initially, I studied photojournalism influenced by the work of W. Eugene Smith but moved to medium and large format black and white landscape work influenced first by Edward Weston and later by Paul Caponigro.

Eventually, I was exhibiting, had a dealer and was teaching advanced black and white printing and technical photography at the art school of the State University of New York, Purchase campus.

The title Echo Beach comes from the 1979 song of the same name by Martha and the Muffins with the chorus “far away in time” which seemed appropriate for this series.

In 1994 I decided to take a short sabbatical in Vietnam which turned out to be not so short as I am still here. The 2017 Echo Beach series was created in Vung Tau, Vietnam. It is the result of many experiments with the light, space, colours and object placement at Back Beach and how the photographic process could transform these picture elements. The prints are 70cmx46cm on bamboo fibre fine art paper, which works well to complete the watercolour feeling I wanted. (Many thanks to Danny Bach, master printer at VG labs in Saigon).

The title Echo Beach comes from the 1979 song of the same name by Martha and the Muffins with the chorus “far away in time” which seemed appropriate for this series. This quote from Ralph Gibson nicely connects with my view of photography: “I believe photographs are better than the photographer and the art is better than the artist. I’m not the music; I’m the radio through which the music plays. So I follow the work, I don’t lead the work. I go where the work sends me.”

My advice to artists is not to listen to any advice and just “follow the work.”

 

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